The John B. Oakes Award

John Oakes became an editorial writer for the New York Times in 1949 and was editor of the editorial page from 1961 to 1976. The Times's Robert D. McFadden has written that, before Oakes took over, the paper’s editorials sounded “more like the advice of the family doctor than the boom of civic conscience.” Oakes reinvigorated the editorial voice, pushing his writers to take strong positions and articulate them with force. He received the George Polk Award in 1966 for bringing to the Times editorial page “a brilliance, an intensity and a perceptiveness” that made it “the most vital and influential journalistic voice in America.”

Oakes conceived the idea for another of his lasting contributions to journalism, the op­-ed page, shortly before he became the editorial page editor. Although the concept of a forum for both outside contributors and Times columnists languished for years, caught up in debate within the paper over space and editorial control, the page Oakes eventually created has been adopted by newspapers all over the world. Oakes himself was a frequent contributor to the Times op-ed page until the mid-1990s. In 2000, he received the George Polk Career Award “for his singular journalistic achievements.”

The Oakes Award has always been conferred for feature reporting. Oakes himself, however, spent most of his writing career as an editorialist and essayist. He was a stylist of great eloquence; many of his editorials, such as those on President Kennedy’s assassination and the lunar landing, are classics of the period. Before becoming editorial page editor, Oakes also wrote a monthly environmental column for several years. (The column was his own proposal; when Times editors expressed doubt that readers would have any interest in the environment, he offered to write it for free. It was to become one of the most popular columns in the paper.) Some of Oakes’s favorite environmental subjects included parks and public lands; the “radical, inflationary, economically unsound, and environmentally degrading” policies of Interior Secretary James Watt; and government inaction on “the spread of aerial sewage in the form of acid rain.”

John B. Oakes was a nephew of Adolph Ochs, who became publisher of the New York Times in 1896. Oakes’s father, George Washington Ochs-Oakes, was mayor of Chattanooga, Tennessee, editor of the Philadelphia Ledger, and publisher of Current History magazine. In 1917 he changed his two sons’ surname, and modified his own, out of anger at the German atrocities of World War I.

A Rhodes scholar and the valedictorian of his graduating class at Princeton, John B. Oakes began his life in journalism in 1936 as a reporter for the Trenton Times in New Jersey. The next year he started reporting on politics and writing features for the Washington Post. During World War II he served in Europe as a counterintelligence officer, and for his service received the Bronze Star, the Croix de Guerre, and the Order of the British Empire. After the war he joined the New York Times as editor of Week in Review. He married Margery Hartman in 1945. They had three daughters, Andra, Alison, and Cynthia; and a son, John, who now serves on the Oakes Award Committee of Judges.
 

The John B. Oakes Award and its $5,000 prize is given for outstanding environmental reporting across platforms. Print, radio, broadcast and digital reporting are eligible for the award. All entries must have appeared in the U.S. during 2019. The entry fee for each nomination is $50. Entry fees are non-refundable.

How to Enter:

All materials should be formatted and uploaded as PDFs or as URLs. Links must remain live through September 2020.

Please fill out the entry form and upload supporting materials.

Materials needed for entry:

• One to five pieces of environmental reporting. Materials may be uploaded as PDFs or as links.
• Confirmation that the pieces appeared during 2019.
• Broadcast transcripts for radio or video reporting, or if your online entry includes audio/video components.

Supplemental materials such as a brief statement on the work as well as biographies of the persons who contributed to the pieces may be submitted.

Please keep in mind:

• A single article or a series of articles can be submitted. A series must be designated as such by the publication when it is printed. A regular column may also be submitted as a series.
• If submitting a series, up to five articles can be submitted.
• The judges may divide the award among the writer, videographer, photographer, and illustrator, if their work substantially strengthens the winning piece.
• A translation must be supplied for any article not written in English.
• If a piece or series lives online, direct links may be provided. Otherwise, please upload the material to a site such as YouTube or Vimeo.
• For all visual elements, the name of the photographer, videographer, or graphic artist should be included on all entry forms.
• Entry fees are non-refundable.

Emilia Askari is an environmental journalist and an educator who conducts research at the intersection of news literacy, social entrepreneurship, digital citizenship and games.

Talia Buford is a reporter for ProPublica covering disparities in environmental impacts. She was previously an environment and labor reporter at the Center for Public Integrity and an energy reporter for POLITICO.

Jeff Burnside is an independent journalist who has spent more than 20 years working as an investigative reporter. He was most recently a senior investigative reporter for KOMO 4 News in Seattle.

Jody Calendar, an environmental reporter, is a former American Press Media Editors (APME) national director.

Tom Herman is a journalist and teacher. He teaches seminars at Yale College (in the fall semester), Columbia University’s Graduate School of Journalism (also in the fall) and the University of San Diego (in the winter semester).

Elizabeth Kolbert has been a staff writer for The New Yorker since 1999. Prior to joining the staff of The New Yorker, she was a political reporter for The New York Times.

Bill McKibben is the author of a dozen books about the environment, including “The End of Nature,” which was the first book for a general audience about global warming. A scholar in residence at Middlebury College, he is the founder of 350.org, the largest grassroots global campaign to fight climate change. 

Deborah Nelson is Associate Professor of Investigative Journalism at the University of Maryland.  She joined the Philip Merrill faculty in 2006, after five years as the Washington investigations editor for the Los Angeles Times. 

John G. H. Oakes is the son of John B. Oakes and co-founder of OR Books (www.orbooks.com), an alternative publishing company that embraces e-books and other new technologies. 

Judy Pasternak is a nonfiction writer who focuses often on environmental issues. She wrote “Yellow Dirt: An American Story of a Poisoned Land and a People Betrayed,” which chronicles the deadly legacy of uranium mining on Navajo homeland for use in nuclear bombs. 

Susanne Rust is an investigative reporter specializing in environmental issues for the Los Angeles Times. Previously, she was the director of Columbia Journalism School's Energy and Environment Reporting Fellowship.